Money in Fine Art Photography?

As I continue to look at how one can make a living in fine art photography, I have come to some conclusions.

Very, very few fine art photographers make their living primarily off of selling prints. One photographer in the NW indicated he only knew of 3-4 in the entire NW region who were able to do that. So in general I would say as a fine art photographer you need to look at generating multiple streams of income – books, teaching (online, DVDs and/or direct), lectures, etc.

It takes a long time to build up a following and income stream. Have you ever noticed how often it takes an artist in most any genera 10+ years to be recognized? The key here is to just keep plugging along and making the most of opportunities as they come along, getting your name out there.

One thing that does mark some of those that succeed is a specialization in a technique, subject or skill that isn't easily replicated by the mass of other photographers out there. In business terms they have established a significant barrier to entry to their particular markets. The current turmoil in the photographic market place is in my mind due to the lowering of the barrier to entry that existed before the age of digital photography and the digital age. The digital age has allowed a much greater number of people to create good images and distribute them in a prolific manner. One result of this proliferation has been that to stand out as a photographer you must figure out how to rise above the masses. While the Internet has created the opportunity for visibility around the world - standing out in all this "noise" is difficult (think about searching on the web - how many hits do you get if you sea ch on "photographer").

Stock photography as a major source of income is pretty much dead. While I hear rumors of a photographer now an then who still makes a living off stock, the professional fine art photographers I know would say not to waste your time there now. So far I have not had any success in the more direct sales approach to calendar companies and publishers either. This could be due to the economy, my lack of experience in selling to them or my images may not match their needs (though I try to do my research here). Time will tell.

So am I throwing in the towel. No. I am just sharing my observations along the way. Being persistent definitely seems to be a key to success.

Feel free to share your thoughts and experiences in making money in fine art photography.

More on Fall Photography

I decided to add on a couple more hints on fall photography and how to ratchet things up a bit more.

1. When shooting images of fall trees, look for patterns in the color. Patterns give your image more structure and our brains like patterns. You will be surprised how many times there will be horizontal line or layers of color. I have included a couple of examples here - first two images.

2. Look for back lit leaves and trees when the sun is out. The glow from back light can be quite spectacular and make a tree standout from the background. See next image.

A couple more advanced techniques useful in fall photography:

1. Use of double exposures to add more "glow". This can be done in camera, using for instance Nikon's overlay function, or in Photoshop post processing by stacking layers. To create the glow you see in the blog image I used an in camera overlay where the first image was in sharp focus and the 2nd one out of focus and overexposed 1-stop. I then blended them to taste using the in camera gain controls.

2. Use camera pans or swipes to blend colors and create great fall abstracts. Here you slow down your shutter speed to 1/5-1/8 second and move your camera while taking the picture (it is fun to break rules!). Try it several times until you get an image you like. It is generally best (but not a rule) to move your camera along the primary lines in the image - typically up and down for trees. The last blog image is an example of this. For more on this see http://staceyglloyd.blogspot.com/2009/07/pans-and-swipes.html.

Have fun with fall shooting.

Fall Photography

It is that beautiful time of year known as fall. One of those times when the world becomes a candy store for a photographer. There are images waiting to be captured everywhere it seems. But how many times have you gotten your fall photographs back and they just don't capture the magic. Well here are a few tips I have learned over the years:

1. Use a polarizer to bring out those colors and remove that washed out glare from the sky (even on a cloudy day). This is one filter effect you can't recreate afterwards in Photoshop. If you want fall colors with deep blue skies you need this filter. All of the blog images where shot with a poloarizer.

2. Shoot on a cloudy day right after the rain - the colors are very saturated under these conditions, but again make sure you use a polarizer to get the glare off those wet leaves. See above image.


3. Underexpose a little in some cases (1/3 - 1 stop) - underexposure saturates colors.


4. Look for a splash of one color surrounded by another to create impact. See first blog image.


5. Look for structure to hang your fall colors on. See next image.


6. Windy day - experiment with long exposures. The next image was shot at 1.6 sec to allow the wind to create the fall "fire".

As always have fun!